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Alexander Kudriavchenko
is an artist who uses traditional painting styles and at the same time experiments with contemporary artistic aspect.
His painting “Stop in the desert” was exhibited in the Louvre at Salon SNBA in Carrousel du Louvre in 2004. The painting “Rouge” was awarded the prestigious “Des Amis du Salon d’Automne” in the category of Painting on PARIS SALON D’AUTOMNE 2002, Paris, France (2002). The PARIS SALON D’AUTOMNE is one of the oldest world annual exhibitions. Since its inception, works by artists such as Paul Cézanne, Henri Matisse, Paul Gauguin, Georges Rouault, André Derain and Marcel Duchamp have been shown. And the painting “Rouge” by Alexander Kudriavchenko have been awarded best painting in 2002
"Our imagination is really unlimited. But its boldest bursts has long been embodied in the depths of the Ocean. We are surrounded by many of the worlds. As one of them we are facing each other. Faced with the Universe, like us, and sometimes do not even notice it completely envelops and absorbs us, while not changing the structure of our inner world, but certainly putting him influence, leaving its mark on its internal and external appearance. So I feel a meeting point with each of them - Human, Ocean, Universe, what is for me the essence of the One..." A. Kudriavchenko
The exhibition of Alexander Kudriavchenko in Antwerp at January 2019
Think Jazzy Gallery, Minderbroedersrui 74,Antwerp, Belgium 2000
Special thanks to Oksana Sydorchenko for the photographs
Watch the video from exhibition of Alexander Kudriavchenko in Antwerp
Think Jazzy Gallery, Minderbroedersrui 74,Antwerp, Belgium 2000
Special thanks to Igor Kravchuk for the video
Ocean - it is the space where any color, emotion and a sense as so saturated, bright and clean, as the nature in its pristine.
A world where the movements are smooth, unhurried but not devoid of inner strength and speed.
A world where music is a sovereign in all its forms, as if she came out of the water depth. Where the sound overcomes space with triple speed to reach our hearts.
Where the heart is singing and pulsating in unison with the elements.
Where I feel the weight of my own thought and its impotence of display and presence. A world where physical seems bulky and unwieldy, but underwater it becomes pliable and flexible, sometimes elegant.
Where a minor event in the life of internecine subspecies represents a quite dramatic development and highly irreversible consequences, thereby changing, transforming, at the same time without disturbing the harmony of the universal ocean. Peering into the environment under the water, studying the organization of the world that is so unpredictable, where reality can surpass even the most sophisticated our imagination, it is clear that for the knowledge thereof a person should have different speeds, and the degree of reaction.
This is the world that we know and we do not know in the same time. We know, because every particle has the most unpredictable forms of display in ourselves. And of course, we certainly have access to the fantastic information.
Our imagination is really unlimited. But its boldest bursts has long been embodied in the depths of the ocean. We are surrounded by many of the worlds. As one of them we are facing each other. Faced with the universe, like us, and sometimes do not even notice it completely envelops and absorbs us, while not changing the structure of our inner world, but certainly putting him influence, leaving its mark on its internal and external appearance. So I feel a meeting clash with each of them - Human, Ocean, Universe, what is for me the essence of the One.
Alexander Kudriavchenko
"Discussion" on the exhibition
ENG/UA
The Theosophical Discussion reached its hottest point and two elders did not find a common denominator in their beliefs or a civilized compromise (as it is likened to wise men), but they started into a fun fight. Two worlds, two philosophies, two poles to which our world has been lagging so deeply recently.
"Теософічна дискусія". Сюжет роботи – боротьба двох старців, які не знайшли спільну мову. Теософська дискусія перейшла в сперечання фізичне – кумедну та безглузду бійку. У картині відображено ідею двох протиборчих сил. Мова теософської дискусії – це мова двох різних парадигм. Це дискусія між двома різними релігіями, двома істинами, різними філософськими системами, яка перейшла у вороже протистояння, недолуге й даремне, а саме у комічний конфлікт двох простаків на фізичному рівні.
